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A feminist reception-history sampler of global art from the eighth to the twenty-first century"],"date_uploaded_dtsi":"2023-10-12T13:26:49Z","date_modified_dtsi":"2024-02-16T22:25:49Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["8ec17815-11a6-46c7-8863-144a24e1eb21"],"hasLease_ssim":["d779d04a-b2c3-4326-aea7-d71d8d127773"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["San Francisco Theological Seminary"],"advisor_tesim":["Mary E Hunt"],"year_tesim":["2010"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Laura G Krauss"],"publisher_tesim":["San Francisco Theological Seminary"],"subject_tesim":["Christian art and symbolism","Women in Christianity","Reader-response criticism","Women in art","Hagar"],"language_tesim":["English"],"abstract_tesim":["The biblical figure Hagar, in Genesis 16 and 21, is explored through the methodology of Reception-History. 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