{"response":{"docs":[{"system_create_dtsi":"2023-10-12T16:06:07Z","system_modified_dtsi":"2024-02-17T07:29:21Z","has_model_ssim":["Etd"],"id":"087137c1-9878-4be8-a20a-beb0c399334e","accessControl_ssim":["2358eeb9-f8a0-4298-9935-e2335ec59eb5"],"depositor_ssim":["ckarpinski@atla.com"],"depositor_tesim":["ckarpinski@atla.com"],"title_tesim":["Impacting the spirituality of select members of the Holland United Methodist Church through artistic endeavors"],"date_uploaded_dtsi":"2023-10-12T16:06:06Z","date_modified_dtsi":"2024-02-16T22:21:38Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["1d3a19e2-2cfd-43fe-84a7-76cba2c9a0e9"],"hasLease_ssim":["e7f833dd-e1b5-4910-a659-0cddc67fba28"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["Ashland Theological Seminary"],"advisor_tesim":["James F Black"],"year_tesim":["2014"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Robert Wallace Zimmerman"],"keyword_tesim":["Liturgics and the arts","Practice (Theology)"],"publisher_tesim":["Ashland Theological Seminary"],"subject_tesim":["Art and religion","Holland United Methodist Church (Holland, NY)","Theology, Practical","Christian art and symbolism","Liturgics","Spiritual life--Christianity--Methodist Church"],"language_tesim":["English"],"abstract_tesim":["The purpose of this project was to impact the spirituality of select members of the Holland United Methodist Church, Holland, New York through artistic endeavors. The degree of increase in the area of spirituality within the group was measured by two assessment surveys -- a pre-project survey and a post-project survey. The project culminated with the submission of art projects created by the participants through assistance of spiritual disciplines. The most prominent finding was that participants recognized the God moments in their lives. 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A feminist reception-history sampler of global art from the eighth to the twenty-first century"],"date_uploaded_dtsi":"2023-10-12T13:26:49Z","date_modified_dtsi":"2024-02-16T22:25:49Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["8ec17815-11a6-46c7-8863-144a24e1eb21"],"hasLease_ssim":["d779d04a-b2c3-4326-aea7-d71d8d127773"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["San Francisco Theological Seminary"],"advisor_tesim":["Mary E Hunt"],"year_tesim":["2010"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Laura G Krauss"],"publisher_tesim":["San Francisco Theological Seminary"],"subject_tesim":["Christian art and symbolism","Women in Christianity","Reader-response criticism","Women in art","Hagar"],"language_tesim":["English"],"abstract_tesim":["The biblical figure Hagar, in Genesis 16 and 21, is explored through the methodology of Reception-History. 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A woefully inadequate, often dualistic, misreading of Scripture, this assumption has long obscured the symbolic structure of Eucharist.  This Dissertation/Project reorients Christian anthropology within the triadic paradigm of Hebrew and Christian symbolism.  It builds on the 1960's work of social anthropologist Mary Douglas who argued Old Testament Hebrew purity rules and ritual implied a well-defined symbolic system rooted in social organization.  Evidence from archaeology, anthropology, and Scripture suggests that biblical symbols are indeed part of a systematic symbolic matrix whose rules 1) safeguard a social order modeled on the cosmic balance of earth (male), seas (female), and sky (symbolic language) and 2) inform our awareness of Trinity."],"rights_statement_tesim":["https://rightsstatements.org/vocab/InC/1.0/"],"thumbnail_path_ss":"/assets/work-a3b75da7abded620ab321410c80d102e5e2417b71c54de7ba7d4b0363da904f7.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-approving","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-depositing","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-managing"],"workflow_state_name_ssim":["deposited"],"member_of_collections_ssim":["San Francisco Theological Seminary"],"member_of_collection_ids_ssim":["38714359-d032-4ed0-ae3f-cb82c8f65a92"],"visibility_ssi":"open","admin_set_tesim":["Metadata Only"],"account_cname_tesim":["rim.ir.atla.com"],"human_readable_type_tesim":["Etd"],"read_access_group_ssim":["work_editor","public"],"edit_access_group_ssim":["admin"],"edit_access_person_ssim":["ckarpinski@atla.com"],"_version_":1799717721126993920,"timestamp":"2024-05-22T02:22:47.420Z","score":1.0},{"system_create_dtsi":"2023-10-12T00:17:29Z","system_modified_dtsi":"2024-05-22T02:44:56Z","has_model_ssim":["Etd"],"id":"7e7c6da5-d792-45e7-82ef-7b95a6f5996a","accessControl_ssim":["e9eac4bc-7c54-4196-96bc-612beb78e1e1"],"depositor_ssim":["ckarpinski@atla.com"],"depositor_tesim":["ckarpinski@atla.com"],"title_tesim":["A critical study of the history of Christian art in Korea - a textbook for use in seminaries in Korea"],"date_uploaded_dtsi":"2023-10-12T00:17:28Z","date_modified_dtsi":"2024-02-17T01:51:43Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["8ec1d1b6-2199-4f12-b1d8-014dd224493f"],"hasLease_ssim":["bf183aef-6c36-4bb3-8f46-123facc25bd3"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["San Francisco Theological Seminary"],"advisor_tesim":["Kyung-Sung Lee"],"year_tesim":["1989"],"location_tesim":["Korea"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Yun-Ho Ye"],"keyword_tesim":["Theology, Contextual"],"publisher_tesim":["San Francisco Theological Seminary"],"subject_tesim":["Christian art and symbolism","Christianity and culture","Theology"],"language_tesim":["English"],"abstract_tesim":["Early Christian works of art were not painted for their artistic value, but rather for revitalizing faith. The artists adapted their art forms from secular society. Church architecture largely originated from traditional culture. One might conclude that Christian art has some Minjung elements. Korea has a rich cultural background with diverse, excellent artistic achievements.  Yet many Christian artists still are holding a conservative attitude influenced by Western thought patterns.  It is time to de-westernize Christian art in Korea.  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