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The author found that the materials presented were helpful, but that for full integration of the principles into regular worship practice, instruction needed to be extended over a longer period of time."],"rights_statement_tesim":["https://rightsstatements.org/vocab/InC/1.0/"],"thumbnail_path_ss":"/assets/work-a3b75da7abded620ab321410c80d102e5e2417b71c54de7ba7d4b0363da904f7.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-approving","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-depositing","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-managing"],"workflow_state_name_ssim":["deposited"],"member_of_collections_ssim":["Gordon-Conwell Theological Seminary"],"member_of_collection_ids_ssim":["31b95ee0-a31c-43dc-8ec9-d97b30239a2d"],"visibility_ssi":"open","admin_set_tesim":["Metadata Only"],"account_cname_tesim":["rim.ir.atla.com"],"human_readable_type_tesim":["Etd"],"read_access_group_ssim":["work_editor","public"],"edit_access_group_ssim":["admin"],"edit_access_person_ssim":["ckarpinski@atla.com"],"_version_":1791130915935617024,"timestamp":"2024-02-17T07:39:11.849Z","score":1.0},{"system_create_dtsi":"2023-10-12T15:23:17Z","system_modified_dtsi":"2024-02-17T06:57:21Z","has_model_ssim":["Etd"],"id":"592659dc-53fa-4fe1-8676-1880c1fac5e5","accessControl_ssim":["7eb9598a-a9cb-4ae3-918d-1bcd38cbc76a"],"depositor_ssim":["ckarpinski@atla.com"],"depositor_tesim":["ckarpinski@atla.com"],"title_tesim":["The power of sung theology: encountering God through congregational song"],"date_uploaded_dtsi":"2023-10-12T15:23:16Z","date_modified_dtsi":"2024-02-17T00:44:51Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["2ed31fc7-8bcb-451e-a376-130eaa840fc1"],"hasLease_ssim":["fc68965b-60a4-47a2-8e78-5f72ca89f7fc"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["Columbia Theological Seminary"],"advisor_tesim":["Kathy L Dawson","Paul Junggap Huh"],"year_tesim":["2013"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Patricia Ann Slomanski"],"keyword_tesim":["Church music--Congregational singing"],"publisher_tesim":["Columbia Theological Seminary"],"subject_tesim":["Music in the Bible","Music--Religious aspects","Hymns--Theology","Church music","Theology"],"language_tesim":["English"],"abstract_tesim":["Encountering God through the power of sung theology has existed since the beginning of human history. 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This project focuses on how preacher and musician can work together to provide the worship assembly with a unified proclamation. This report explores the roles of preaching and hymns in the proclamation of the gospel.  It offers a cooperative conversational model based on the tradition of lectio divina as a means of bringing together the ministries of musician and preacher in creating and offering the worshipping congregation a unified proclamation of the Word."],"rights_statement_tesim":["https://rightsstatements.org/vocab/InC/1.0/"],"thumbnail_path_ss":"/assets/work-a3b75da7abded620ab321410c80d102e5e2417b71c54de7ba7d4b0363da904f7.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-approving","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-depositing","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-managing"],"workflow_state_name_ssim":["deposited"],"member_of_collections_ssim":["Columbia Theological Seminary"],"member_of_collection_ids_ssim":["b5eba5c2-141b-4673-9689-2f9720736859"],"visibility_ssi":"open","admin_set_tesim":["Metadata Only"],"account_cname_tesim":["rim.ir.atla.com"],"human_readable_type_tesim":["Etd"],"read_access_group_ssim":["public","work_editor"],"edit_access_group_ssim":["admin"],"edit_access_person_ssim":["ckarpinski@atla.com"],"_version_":1791127776546258944,"timestamp":"2024-02-17T06:49:17.894Z","score":1.0},{"system_create_dtsi":"2023-10-12T15:02:04Z","system_modified_dtsi":"2024-02-17T07:54:54Z","has_model_ssim":["Etd"],"id":"a494460d-b4c3-475b-b302-ca38f69f1597","accessControl_ssim":["e711a246-d75d-4181-a963-c79a8264e321"],"depositor_ssim":["ckarpinski@atla.com"],"depositor_tesim":["ckarpinski@atla.com"],"title_tesim":["Rebuilding a music ministry through a gospel choir at Tremont Temple Baptist Church"],"date_uploaded_dtsi":"2023-10-12T15:02:03Z","date_modified_dtsi":"2024-02-17T02:54:47Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["dfa95559-b655-4af6-9ce1-443a9db696cc"],"hasLease_ssim":["06d8b1ea-9224-4229-a75b-3ddff099a9ca"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["Gordon-Conwell Theological Seminary"],"advisor_tesim":["David A Currie"],"year_tesim":["2009"],"location_tesim":["Massachusetts--Boston"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Geoffrey D Hicks"],"keyword_tesim":["Relation (Theology)"],"publisher_tesim":["Gordon-Conwell Theological Seminary"],"subject_tesim":["Cultural pluralism","Choirs (Music)","Church renewal--Baptists","Church history","Church music--Baptists","Church music","Tremont Temple Baptist Church (Boston, Mass)","Gospel music"],"language_tesim":["English"],"abstract_tesim":["This work will focus on the development of a gospel choir at Tremont Temple Baptist Church in downtown Boston. 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This thesis project poses the question of how to develop a multi-cultural and multi-generational gospel choir which can provide an uplifting meaningful quality of worship and sense of unity for the spiritual edification of a diverse downtown congregation."],"rights_statement_tesim":["https://rightsstatements.org/vocab/InC/1.0/"],"thumbnail_path_ss":"/assets/work-a3b75da7abded620ab321410c80d102e5e2417b71c54de7ba7d4b0363da904f7.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-approving","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-depositing","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-managing"],"workflow_state_name_ssim":["deposited"],"member_of_collections_ssim":["Gordon-Conwell Theological Seminary"],"member_of_collection_ids_ssim":["31b95ee0-a31c-43dc-8ec9-d97b30239a2d"],"visibility_ssi":"open","admin_set_tesim":["Metadata Only"],"account_cname_tesim":["rim.ir.atla.com"],"human_readable_type_tesim":["Etd"],"read_access_group_ssim":["public","work_editor"],"edit_access_group_ssim":["admin"],"edit_access_person_ssim":["ckarpinski@atla.com"],"_version_":1791131907515219968,"timestamp":"2024-02-17T07:54:57.493Z","score":1.0},{"system_create_dtsi":"2023-10-12T13:37:56Z","system_modified_dtsi":"2024-02-17T06:44:34Z","has_model_ssim":["Etd"],"id":"8281ac87-8aae-45a4-b0d4-920bbe385d7c","accessControl_ssim":["163bb948-d308-40ed-97fe-7bc9a252fbbb"],"depositor_ssim":["ckarpinski@atla.com"],"depositor_tesim":["ckarpinski@atla.com"],"title_tesim":["Preserving the integrity of music in worship: defining and refining the process of selecting music that enhances the corporate worship experience"],"date_uploaded_dtsi":"2023-10-12T13:37:55Z","date_modified_dtsi":"2024-02-17T01:58:52Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["843fa3be-5216-4672-8cb2-cfd73f98eee1"],"hasLease_ssim":["cbe9fa4f-e177-498f-a378-34d23a1d99d8"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["Beeson Divinity School"],"advisor_tesim":["Patricia A Outlaw"],"year_tesim":["2010"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Lark N Ball"],"publisher_tesim":["Beeson Divinity School"],"subject_tesim":["Art","Music--Religious aspects","Church music","Theology","Liturgics"],"language_tesim":["English"],"abstract_tesim":["Music to be integrated in the corporate worship service should be selected for its ability to communicate the Gospel with theological accuracy and to convey the intent of the congregation to worship, make confession, or make petitions to God with respect and reverence. Through the completion of surveys, lectures, and discussions, pastors and musicians collaborated in the development of a strategy that when implemented, would assist in avoiding the careless application of music that subliminally distracts or confuses the worship experience. The result was the inclusion of music that was consistent with each segment of the worship service."],"rights_statement_tesim":["https://rightsstatements.org/vocab/InC/1.0/"],"thumbnail_path_ss":"/assets/work-a3b75da7abded620ab321410c80d102e5e2417b71c54de7ba7d4b0363da904f7.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-approving","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-depositing","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-managing"],"workflow_state_name_ssim":["deposited"],"member_of_collections_ssim":["Beeson Divinity School"],"member_of_collection_ids_ssim":["15a18942-6151-49a8-8979-cd138c6b47cc"],"visibility_ssi":"open","admin_set_tesim":["Metadata Only"],"account_cname_tesim":["rim.ir.atla.com"],"human_readable_type_tesim":["Etd"],"read_access_group_ssim":["work_editor","public"],"edit_access_group_ssim":["admin"],"edit_access_person_ssim":["ckarpinski@atla.com"],"_version_":1791127482074660864,"timestamp":"2024-02-17T06:44:37.064Z","score":1.0},{"system_create_dtsi":"2023-10-12T11:15:56Z","system_modified_dtsi":"2024-05-22T02:08:13Z","has_model_ssim":["Etd"],"id":"793843c7-b191-4de3-8ae4-5c7c7391e34b","accessControl_ssim":["b4b1c390-28fd-4fb0-a299-1ce757715bb9"],"depositor_ssim":["ckarpinski@atla.com"],"depositor_tesim":["ckarpinski@atla.com"],"title_tesim":["Creating new Kikuyu songs for corporate worship in the Presbyterian Church of East Africa"],"date_uploaded_dtsi":"2023-10-12T11:15:56Z","date_modified_dtsi":"2024-02-17T01:41:43Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["0fe88ee3-463f-4086-85b3-80a32299faa6"],"hasLease_ssim":["e045df56-7c94-49b2-9d4c-6d04e236e72e"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["San Francisco Theological Seminary"],"advisor_tesim":["Mark R Griggs"],"year_tesim":["2007"],"location_tesim":["Kenya"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Joseph M Muchemi"],"publisher_tesim":["San Francisco Theological Seminary"],"subject_tesim":["History","Church music","Presbyterian Church of East Africa","Religion and politics","Dance--Religious aspects","Religion"],"language_tesim":["English"],"abstract_tesim":["The D/P  is a deep examination of the place of church music and other music and dance in an African setting. 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However, a Coptic Orthodox priest and bishop denied any similarity between Celtic music and Coptic music as represented in the chanting of psalm 44 on recordings entitled, Kilmartin Sessions and Sean-nos."],"rights_statement_tesim":["https://rightsstatements.org/vocab/InC/1.0/"],"thumbnail_path_ss":"/assets/work-a3b75da7abded620ab321410c80d102e5e2417b71c54de7ba7d4b0363da904f7.png","suppressed_bsi":false,"actionable_workflow_roles_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-approving","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-depositing","f6c99b2a-5c91-4444-8946-01a1837f1fd8-default-managing"],"workflow_state_name_ssim":["deposited"],"visibility_ssi":"open","admin_set_tesim":["Metadata Only"],"account_cname_tesim":["rim.ir.atla.com"],"human_readable_type_tesim":["Etd"],"read_access_group_ssim":["work_editor","public"],"edit_access_group_ssim":["admin"],"edit_access_person_ssim":["ckarpinski@atla.com"],"_version_":1799718047781486592,"timestamp":"2024-05-22T02:27:58.942Z","score":1.0},{"system_create_dtsi":"2023-10-12T08:03:12Z","system_modified_dtsi":"2024-05-22T01:47:50Z","has_model_ssim":["Etd"],"id":"3c13f747-6740-42be-ae5a-c3e3ea319f22","accessControl_ssim":["ab0efb3e-3667-4e5a-9abe-1613be7f5949"],"depositor_ssim":["ckarpinski@atla.com"],"depositor_tesim":["ckarpinski@atla.com"],"title_tesim":["Theological edification of laity through congregational singing in the Protestant Reformed Church"],"date_uploaded_dtsi":"2023-10-12T08:03:11Z","date_modified_dtsi":"2024-02-16T23:52:15Z","isPartOf_ssim":["f6c99b2a-5c91-4444-8946-01a1837f1fd8"],"hasEmbargo_ssim":["7695f4f4-a415-47df-8105-a94f1364bd54"],"hasLease_ssim":["d0977e96-a1fd-478d-ab60-0da3cec57900"],"show_pdf_viewer_tesim":["1"],"show_pdf_download_button_tesim":["1"],"institution_tesim":["Atla RIM"],"degree_tesim":["Unknown"],"degree_granting_institution_tesim":["San Francisco Theological Seminary"],"advisor_tesim":["Daniel Hoggatt"],"year_tesim":["2003"],"resource_type_tesim":["Unknown"],"types_tesim":["Text"],"creator_tesim":["Mark R Griggs"],"publisher_tesim":["San Francisco Theological Seminary"],"subject_tesim":["Singing--Religious aspects--Congregational churches","Hymns","Music--Religious aspects","Church music"],"language_tesim":["English"],"abstract_tesim":["Many Presbyterian ministers claim that music has a profound impact on theological formation among laity, and that laity do not pay attention to the words they are singing and do not comprehend why a hymn has been chosen on a given Sunday. This dissertation proposes that pastors conscientiously plan and present corporate music accessing insights from educational theory. Pastors in three churches of different sizes and demographics in the San Francisco Presbytery were interviewed. Hundreds of pastors and educators from Canada and the United States were interviewed in groups.  Literature was reviewed in the fields of the theology of music; educational theory; music the Reformed tradition, and current socio-cultural trends. Finding ways to ease the fear of change can help people be more receptive to learning.  Provide information in a variety of ways.  Involve people in the interpretive process. 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